威尼斯雙年展（La Biennale di Venezia）官網(wǎng)

Venice, November 26th, 2025 - The Board of Directors of La Biennale di Venezia, upon the recommendation of President Pietrangelo Buttafuoco, deliberated the appointment of Wang Shu and Lu Wenyu as Directors of the Architecture Department, with the specific task of curating the 20th International Architecture Exhibition which will take place in 2027, from Saturday, May 8th to Sunday, November 21st (pre-opening May 6th and 7th).

威尼斯，2025年11月26日訊——經(jīng)主席皮特蘭吉洛·布塔?？疲≒ietrangelo Buttafuoco）提名，威尼斯雙年展董事會(huì)正式?jīng)Q定任命王澍與陸文宇為建筑部總監(jiān)，具體負(fù)責(zé)策劃2027年第20屆威尼斯國(guó)際建筑雙年展。該展覽將于2027年5月8日（周六）至11月21日（周日）舉辦，預(yù)展時(shí)間為5月6日與7日。

Architects and educators, Wang Shu and Lu Wenyu founded Amateur Architecture Studio in 1997. Together they established the Architecture Department at the China Academy of Art in 2003 and the School of Architecture in 2007, where Wang Shu is its first Dean and Lu Wenyu is the Director of the Sustainable Construction Center. They took part in the China Pavilion at the Biennale Architettura 2006, and were invited to participate in the Biennale Architettura 2010 by Kazuyo Sejima (where they received the Special Mention for the project “Decay of a Dome”) and in the Biennale Architettura 2016 by Alejandro Aravena.

建筑師、教育家王澍和陸文宇于1997年創(chuàng)立了業(yè)余建筑工作室。2003年，他們共同創(chuàng)建了中國(guó)美術(shù)學(xué)院建筑系；2007年，又創(chuàng)建了建筑藝術(shù)學(xué)院，王澍擔(dān)任首任院長(zhǎng)，陸文宇擔(dān)任可持續(xù)建造中心主任。他們?cè)鴧⑴c2006年威尼斯建筑雙年展中國(guó)館項(xiàng)目，并受邀參加了2010年由妹島和世策劃的威尼斯建筑雙年展（憑借“穹頂?shù)乃　盌ecay of a Dome項(xiàng)目榮獲特別提名獎(jiǎng)）。此外，還參與2016年由亞歷杭德羅·阿拉維納（Alejandro Aravena）策劃的威尼斯建筑雙年展。

They maintain a sustained focus on existing materials, the traces of ordinary people's daily lives, the vitality of the unnamed, common structures, and the process and craftsmanship of artisans on the construction site. They advocate for a radical experimentation that is rooted in the local context and vernacular tradition. The studio merges memory with innovation by combining recycled old building materials with modern engineering techniques, offering a powerful response to the social reality of urban development that involves large-scale demolition and construction. They have consistently upheld a broad global perspective, expressing through their works an innovative vision that transcends the cultural conflict between city and countryside, and the dichotomy of the artificial and the natural.

他們的建筑始終聚焦舊材料的再利用、普通日常生活的痕跡、無名工匠的建造智慧，以及通過手工與工藝對(duì)抗機(jī)械化、缺乏人文關(guān)照的城市生產(chǎn)方式。他們倡導(dǎo)植根于在地語(yǔ)境與鄉(xiāng)土傳統(tǒng)的突破性建筑實(shí)驗(yàn)，以回收舊磚瓦、手工構(gòu)筑、現(xiàn)代結(jié)構(gòu)技術(shù)并行等方式，將“記憶”與“創(chuàng)新”并置，構(gòu)成對(duì)過度拆建現(xiàn)實(shí)的一種批判性回應(yīng)。他們始終秉持開闊的全球視野，在作品中傳遞出跨越城市—鄉(xiāng)村、人工—自然二元對(duì)立的創(chuàng)新理念。

中國(guó)美術(shù)學(xué)院象山校區(qū) 王澍 陸文宇

Among their best-known projects: the Ningbo Historic Museum, the Xiangshan Campus of China Academy of Art (selected by the New York Times in 2021 as one of “The 25 Most Significant Works of Postwar Architecture”), the Tiles Hill in HangZhou, the Renovation of Wencun Village, the Fuyang Cultural Complex, the National Archives of Publications and Culture in Hangzhou, the Preservation and Renovation of Southern Song Imperial Street, the Lin An Historic Museum, the Museum of Ancient Animals in Baoding, the Jin Sha Traditional Chinese Academy in Xia Men and the Xi'an Opera House and Concert Hall.

他們的代表性建筑作品包括：寧波歷史博物館、中國(guó)美術(shù)學(xué)院象山校區(qū)（被《紐約時(shí)報(bào)》評(píng)為2021年全球戰(zhàn)后最重要的25件建筑作品之一）、杭州瓦山、文村的保護(hù)與改造、富春山館、杭州國(guó)家版本館、南宋御街保護(hù)更新、臨安博物館、中國(guó)古動(dòng)物館（保定自然博物館）、廈門金沙書院及西安大劇院等。

Their works have been exhibited in prestigious international institutions, including the MOMA in New York and the Centre Pompidou in Paris. Solo exhibitions have been dedicated to them at the Louisiana Museum of Modern Art, the Arc en rêve Centre d’architecture in Bordeaux and the BOZAR Centre for Fine Arts in Brussels. In 2019, they received the Gold Medal of the Tau Sigma Delta Honor Society.

他們的作品曾在紐約現(xiàn)代藝術(shù)博物館（MoMA）、巴黎蓬皮杜中心等國(guó)際知名機(jī)構(gòu)展出，并在路易斯安那現(xiàn)代藝術(shù)博物館、波爾多arc en rêve建筑中心、布魯塞爾BOZAR美術(shù)中心舉辦過大型個(gè)展。他們榮獲Tau Sigma Delta建筑與綜合藝術(shù)榮譽(yù)學(xué)會(huì)2019年度金質(zhì)獎(jiǎng)?wù)隆?/p>

2012年普利茲克建筑獎(jiǎng)?lì)C獎(jiǎng)典禮

Wang Shu received the Pritzker Architecture Prize in 2012, the most prestigious international award in the field of architecture, and he is a Member of the French Academy of Architecture since 2023.

王澍于2012年斬獲建筑界最高國(guó)際獎(jiǎng)項(xiàng)普利茲克建筑獎(jiǎng)，并于2023年與陸文宇一起當(dāng)選法國(guó)建筑科學(xué)院院士。

寧波博物館 王澍 陸文宇

President of La Biennale Pietrangelo Buttafuoco stated:

威尼斯雙年展主席皮特蘭吉洛·布塔?？票硎荆?/p>

It is with great pleasure that we announce the appointment of Wang Shu and Lu Wenyu as Artistic Directors of the Architecture Department. Their vision, deeply rooted in the memory of places and in the knowledge of construction processes, represents today an essential voice in the international debate on architecture and on the meaning of inhabiting the world’s spaces. In them, La Biennale di Venezia recognizes two leading figures capable of combining cultural responsibility with experimental genius, offering a contribution of extraordinary quality at a time in history that demands knowledge, balance, and imagination. Their guidance will inspire broad and necessary reflection, projecting the Biennale Architettura 2027 toward new perspectives and new ways of understanding our relationship with space, memory, and the engaged community. We extend our sincerest gratitude to Wang Shu and Lu Wenyu for accepting this role, along with our warmest wishes for their work.

“我們懷著無比喜悅的心情宣布，任命王澍與陸文宇為建筑部藝術(shù)總監(jiān)。他們的理念深深植根于場(chǎng)所記憶與建造工藝知識(shí)，是當(dāng)下國(guó)際建筑界關(guān)于‘建筑本質(zhì)’與‘世界空間棲居意義’討論中不可或缺的重要聲音。威尼斯雙年展認(rèn)可二位作為領(lǐng)軍人物的卓越地位，他們兼具文化擔(dān)當(dāng)與實(shí)驗(yàn)天賦，在這個(gè)亟需知識(shí)、平衡與想象力的時(shí)代，必將帶來非凡的思想貢獻(xiàn)。他們的引領(lǐng)將啟發(fā)廣泛且必要的深度思考，推動(dòng)2027年威尼斯建筑雙年展邁向新視野，以全新方式解讀人類與空間、記憶及社群參與的關(guān)聯(lián)。衷心感謝王澍與陸文宇接受這一任命，并對(duì)他們的工作致以最誠(chéng)摯的祝?！?/p>

蘇州大學(xué)文正學(xué)院圖書館 王澍 陸文宇

杭州臨安博物館 王澍 陸文宇

杭州國(guó)家版本館 王澍 陸文宇

Wang Shu and Lu Wenyu have declared：

王澍與陸文宇表示：

We are very honored to be the Artistic Directors of the Architecture Department and Curators of the 20th International Architecture Exhibition of La Biennale di Venezia 2027 by the invitation from President Pietrangelo Buttafuoco. And thanks to the Board of Directors of La Biennale di Venezia for the trust in us. We will try our best to meet this big challenge. In the current world, the rapid and multiple changes in architecture are more a phenomenon of appearance, the result of excessive conceptualization or marked commercialization. Conceptual experiments driven to extremes are often divorced from reality and over-commercialization tends to be merely popular and short-lived. This phenomenon changes rapidly in order to survive, breaking away from the connection with the real place. It will lead to the death of architecture. Therefore, architecture becomes a kind of delusional expression about the future.

南宋御街保護(hù)更新 王澍 陸文宇

“非常榮幸受邀出任威尼斯雙年展建筑部藝術(shù)總監(jiān)及2027年第20屆威尼斯國(guó)際建筑雙年展總策展人，衷心感謝布塔?？浦飨难?qǐng)，以及威尼斯雙年展董事會(huì)對(duì)我們的信任。我們將盡最大努力去迎接這一挑戰(zhàn)。在當(dāng)今世界中，建筑學(xué)的快速的多種變化更多是一種表象，一種過度概念化或者商業(yè)化的現(xiàn)象。過度的概念化實(shí)驗(yàn)往往是脫離現(xiàn)實(shí)的，過度的商業(yè)化往往只是流行的、短命的。這種現(xiàn)象為了生存而快速的更替。它會(huì)導(dǎo)致建筑學(xué)的消亡。建筑因此變成某種關(guān)于未來的虛妄表達(dá)。正因?yàn)槿绱?，面?duì)這個(gè)世界的真實(shí)的危機(jī)，堅(jiān)持一種樸素與真實(shí)的建筑學(xué)的理念和方法就有了特殊的價(jià)值。我們將以最大的誠(chéng)意，努力去呈現(xiàn)這種價(jià)值與探索，為了一種更好的現(xiàn)實(shí)與未來。

For this reason, in the face of the real crisis of this world, insisting on a simple and true concept and method of architecture has a special value. We will strive to present this value and exploration with the greatest sincerity for a better reality and future.

因此，面對(duì)當(dāng)今世界的現(xiàn)實(shí)危機(jī)，堅(jiān)守樸素真實(shí)的建筑理念與方法具有特殊價(jià)值。我們將以最大的誠(chéng)意，呈現(xiàn)這一價(jià)值與相關(guān)探索，為更美好的現(xiàn)實(shí)與未來助力。

Once again, we would like to express our heartfelt thanks for President Pietrangelo Buttafuoco and to the entire La Biennale di Venezia team.

再次向布塔福科主席及威尼斯雙年展全體團(tuán)隊(duì)致以由衷的謝意?！?/p>

BIOGRAPHIES

人物簡(jiǎn)介

Wang Shu (China)

王澍（中國(guó)）

2012年普利茲克建筑獎(jiǎng)獲得者、2023年法國(guó)建筑科學(xué)院院士，是當(dāng)代極具思想深度的建筑師與教育者。他與陸文宇于1997年共同創(chuàng)立“業(yè)余建筑工作室”。在教育領(lǐng)域，二人于2003年創(chuàng)建中國(guó)美術(shù)學(xué)院建筑系，2007年進(jìn)一步成立建筑藝術(shù)學(xué)院，出任首任院長(zhǎng)。

王澍曾于2011年擔(dān)任哈佛設(shè)計(jì)學(xué)院（GSD）丹下健三客座教授，先后在麻省理工學(xué)院（MIT）、倫敦大學(xué)學(xué)院（UCL）、萊斯大學(xué)、香港大學(xué)、同濟(jì)大學(xué)等校擔(dān)任客座教授，獲東南大學(xué)榮譽(yù)教授、英國(guó)皇家建筑師協(xié)會(huì)（RIBA）榮譽(yù)院士、美國(guó)羅德島設(shè)計(jì)學(xué)院（RISD）榮譽(yù)博士、香港中文大學(xué)榮譽(yù)社會(huì)學(xué)博士等多項(xiàng)殊榮。他曾獲法國(guó)建筑科學(xué)院金獎(jiǎng)（2011）、Tau Sigma Delta建筑與綜合藝術(shù)榮譽(yù)學(xué)會(huì)2019年度金質(zhì)獎(jiǎng)?wù)?，并入選《時(shí)代》“全球最具影響力100人”（2013）、擔(dān)任普利茲克建筑獎(jiǎng)評(píng)委（2018–2024）。

Lu Wenyu (China)

陸文宇（中國(guó)）

建筑師，1997年與王澍共同創(chuàng)立“業(yè)余建筑工作室”。她與王澍于2003年創(chuàng)建中國(guó)美術(shù)學(xué)院建筑系，開創(chuàng)了全新的教學(xué)體系，深刻影響了中國(guó)建筑教育的發(fā)展方向。她于2023年當(dāng)選法國(guó)建筑科學(xué)院院士，曾擔(dān)任哈佛設(shè)計(jì)學(xué)院、麻省理工學(xué)院、倫敦大學(xué)學(xué)院、萊斯大學(xué)等多所國(guó)際頂尖院校的客座教授。她與王澍的建筑始終聚焦舊材料的再利用、普通日常生活的痕跡、無名工匠的建造智慧，以及通過手工與工藝對(duì)抗機(jī)械化、缺乏人文關(guān)照的城市生產(chǎn)方式。她的專業(yè)貢獻(xiàn)亦獲得國(guó)際認(rèn)可：包括德國(guó)謝林建筑獎(jiǎng)、2010年威尼斯建筑雙年展特別提及（“一座穹頂?shù)乃　保?015年RIBA Fellowship、Tau Sigma Delta建筑與綜合藝術(shù)榮譽(yù)學(xué)會(huì)2019年度金質(zhì)獎(jiǎng)?wù)碌取Ｋ鴵?dān)任聯(lián)合國(guó)教科文組織亞太文化遺產(chǎn)保護(hù)獎(jiǎng)評(píng)委，并于2024年擔(dān)任RIBA International Prize評(píng)審主席。

作為對(duì)現(xiàn)實(shí)的批判性回應(yīng)與對(duì)未來的探索性挑戰(zhàn)，王澍與陸文宇于2003年在杭州共同創(chuàng)建中國(guó)美術(shù)學(xué)院建筑系，開創(chuàng)了從材料和手工出發(fā)、以觀察中國(guó)園林為基礎(chǔ)的建筑教育新模式。為將工作室的實(shí)踐經(jīng)驗(yàn)轉(zhuǎn)化為系統(tǒng)的教育范式，他們于2007年進(jìn)一步成立建筑藝術(shù)學(xué)院，王澍出任首任院長(zhǎng)，陸文宇擔(dān)任可持續(xù)建造中心主任。

來 源｜威尼斯雙年展官網(wǎng) 鳳凰藝術(shù)

編 輯｜戴佳杰

責(zé) 編｜劉 楊 王怡航

審 核｜方 舟 陸文宇

中國(guó)美術(shù)學(xué)院官方微信號(hào)

投稿郵箱：caanews@caa.edu.cn

“國(guó)美學(xué)術(shù)通訊”官方微信號(hào)

投稿郵箱：caarmt@caa.edu.cn

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