藝術家為鏟屎官加冕

St.Tails鏟屎官帽二創群展（第一期）

Crowning Pet Keepers by Artists-Artistic Revival of St.Tails Cap, Group Exhibition

藝術家：鐘瑤、伊靈、邢昊、月上、烈子、王軼瓊、由沙子、狗哥（朐振龍）、湯軍、戈魯、沈敬東、金鑫、阿繼、花語、陳馬、詹明昭、李鵬、Rose、李川李不川、楊倩、風、Michel Leonardi、李鵬波、Eleonora 魏夢丹、李念奴、甲甲、fjaka_亓乂、羅應龍、胡赳赳、布木布泰、段維國、白卜旦、娜Na、吳娟、定溪、MUNKH、Luis Bertos、北斗、戴桾、劉慶昌、讓·伊夫·布朗杜X金鷹、鄭可清、任重遠、土浩、呂子由（按參展順序排列）

策展人：蘇菲

視覺設計：烈子

主辦：St.Tails文創

出品人：Bing大叔

展覽音樂會：Bing大叔&朋友

地址：LCE GALLERY （北京市朝陽區798藝術區七星中街古納文化2層）

開幕：2026.5.10 15:00

后續巡展：798 LCE gallery后部分作品將短期展示于中國宋莊藝術市集，梧桐藝術商店至5月24日；5月29一31日于“世寵會GWPF”（杭州站）W436 “St.Tails圣托魯”。之后再返北京，6月底于成都展出。完整系列可參看小紅書“St.Tails 圣托魯文化創意”，歡迎觀賞、詢問、選購。

Artists: Zhong Yao, Yi Ling, Xing Hao, Yue Shang, Liezi, Wang Yiqiong, You Shazi, Gou Ge (Qu Zhenlong), Tang Jun, Golu, Shen Jingdong, Jin Xin, A Ji, Huayu, Chen Ma, Zhan Mingzhao, Li Peng, Rose, Li Chuan ibuchuan, Yang Qian, Feng, Michel Leonardi, Li Pengbo, Eleonora (Wei Mengdan), Li Niannu, Jia Jia, fjaka_Qiyi, Luo Yinglong、Hu Jiujiu、Bu Mubutai、Duan Weiguo、Bai Budan、Nana、Wu Juan、Ding Xi、MUNKH、Luis Bertos、Bei Dou、Dai Jun、Liu Qingchang、Jean-YvesBlondeau X Jin YIng、Zheng Keqing、Ren Zhongyuan、Tu Hao、Lv Ziyou

Curator: Su Fei

Visual Design: Liezi

Organizer: St.Tails Cultural & Creative

Producer: Bing

Exhibition Concert: Bing & Friends

Address: LCE GALLERY, 2F, Guna Culture, Qixing Middle Street,798 Art District, Chaoyang District, Beijing

Opening: May 10, 2026, 3:00

Ongoing exhibitions: Subsequent works from the 798 LCE gallery will be showcased at the Songzhuang Art Market in China, at the Tungzhou Art Shop, until May 24; from May 29 to 31, at the “Grandeur World Pet Fair，GWPF” (Hangzhou venue) W436 “St.Tails ”. The series will then return to Beijing, where it will be exhibited in Chengdu in late June. For more information on the complete series, please refer to the Red Note post “St. Tails” Cultural and Creative”. Feel free to visit, inquire, and make purchases.

我們將一頂鏟屎官帽（棒球帽）轉化為一場關于“加冕”的藝術儀式。

藝術家們以完全自由的創作姿態，在帽身之上完成對“鏟屎官”身份的藝術解構與重塑。每一頂帽子，都是一次獨立的藝術宣言：寵物是主人的王子、公主，而藝術，為這份愛加冕。展覽以帽為媒，串聯起多元藝術風格與萬千人寵故事，讓日常的陪伴，升華為可被佩戴、可被感知的藝術。

藝術家 由沙子

短短數周內逾50位國內外藝術工作者互相推薦并以行動參予，其中不乏國內的大腕，國外藝術學院教授、知名流浪動物救援組織的負責人，同時也有12歲的兒童繪畫天才，各顯神通，好不熱鬧！

小小藝術家 呂子由

有老師的作品利用了標識，高明的提升了官帽的可觀性。我也相信大部分人不會一眼見標識就愛上，標識是賦予了帽子的定位，如何化腐朽為神奇，就是這次“鏟屎官帽”二次創造最大的功課。

仿佛就像人生，在有限的空間里做出精彩的突破，可能會長出更可貴的花朵。

所有的演繹，花過心思，愿意跟這個世界對話，傳達著愛動物，作為人類如何善待我們跟動物之間的關系，讓世界以至宇宙，更值得我們留戀並存，是這一次活動其中的意義。

花語、王軼瓊、娜Na（從左至右）

善——這社會稀缺的品德，有時候其實是缺了一個能安心發揮的機會。

感謝上帝，或者我們一個人辦不了，一起來做就成了。

“藝術家為鏟屎官加冕”是一個從無變有的過程，暫時我還不知道能走多遠，但對于藝術家、流浪動物救助組織，甚至St.Tails我祈求的是商業運作，一手抱著藝術 一手抱著工益一起飛翔

——Bing大叔

音樂會現場：Bing大叔&朋友

策展人言：

本次展覽將St.Tails鏟屎官帽子（5原色）作為空間物與媒介，完成一場人和寵物愛的藝術加冕儀式。多位當代藝術家以St.Tails帽子為載體進行自由創作，重構其符號、形式與精神內涵。聚焦于人類與陪伴生命體之間的共生關系，探討親密日常里的依戀、主體性、溫柔與權力，共生、守護與身份。日常陪伴之間，是溫柔又深刻的加冕。彼此主權，相互加冕。

蘇菲

2026.4.3

拍賣現場

讓·伊夫·布朗杜、金鷹

熱烈慶祝布朗杜媽媽培育的蝴蝶犬Lazare 30歲大壽， 感謝“鏟屎官”藝術項目， 我們將攜手將愛狗公益和愛狗藝術，一起發展下去！

參展作品

SELECTED WORKS

藝術家：鐘瑤 Zhong Yao

藝術家：伊靈 Yi Ling

藝術家：邢昊 Xing Hao

藝術家：月上 Yue Shang

藝術家：烈子 Liezi

藝術家：王軼瓊 Wang Yiqiong

藝術家：由沙子 You Shazi

藝術家：狗哥（朐振龍） Gou Ge（Qu Zhenlong）

藝術家：湯軍Tang Jun、沈敬東Shen Jingdong、戈魯Ge Lu

藝術家：fjaka_亓乂

藝術家：金鑫 Jin Xin

藝術家：阿繼 A Ji

藝術家：花語 Hua Yu

藝術家：陳馬 Chen Ma

藝術家：詹明昭 Zhan Mingzhao

藝術家：李鵬 Li Peng

藝術家：Rose

藝術家：李川李不川 Li Chuanlibuchuan

藝術家：楊倩 Yang Qian

藝術家：風 Feng

藝術家：李鵬波 Li Pengbo

藝術家：Michel Leonardi

藝術家：Eleonora 魏夢丹

藝術家：李念奴 Li Niannu

藝術家：甲甲 Jia Jia

藝術家：羅應龍 Luo Yinglong

藝術家：段維國 Duan Weiguo

藝術家：布木布泰 Bu Mubutai

藝術家：白卜旦 Bai Budan

藝術家：娜Na Nana

藝術家：吳娟 Wu Juan

藝術家：定溪 Ding Xi

藝術家：戴桾 Dai Jun

藝術家：MUNKH-ERDENE MUNKHZORIG

藝術家：Luis Bertos

藝術家：劉慶昌 Liu Qingchang

藝術家：北斗 Bei Dou

藝術家：任重遠 Ren Zhongyuan

藝術家：讓·伊夫·布朗杜、金鷹

Jean-Yves Blondeau、Jin Ying

藝術家：鄭可清 Zheng Keqing

藝術家：土浩 Tu Hao

藝術家：呂子由 Lv Ziyou

藝術家：蘇菲 Su Fei

展覽現場

We begin with a familiar object: the “pet parent” cap—a baseball cap embedded in everyday life. Through artistic intervention, it is reconfigured as a site ofcoronation.

Working with complete freedom, the artists engage the cap as both surface and symbol, deconstructing and rearticulating the identity of the “pet owner.” Each piece emerges as an autonomous proposition: within this shifted perspective, animals assume the roles of princes and princesses, while art performs the act of crowning—an elevation of care, intimacy, and emotional reciprocity.

As a medium, the cap becomes a point of convergence, bringing together heterogeneous artistic languages and a multiplicity of human–animal narratives. What is ordinarily fleeting—daily companionship—is translated into something tangible, wearable, and sensorially present.

Within a matter of weeks, over fifty practitioners from across China and beyond joined through networks of recommendation and affinity. The participants range from established figures in the contemporary art field, to professors at international academies, to leaders of animal rescue organizations, and even a twelve-year-old painting prodigy. Their coexistence generates a dynamic field of expression—plural, unhierarchical, and alive.

Certain works engage with pre-existing insignia, subtly amplifying the visual authority of the “official cap.” Yet the logo itself does not guarantee attachment; it merely assigns a position. The true challenge—and potential—lies in the act of transformation: how the residual and the ordinary may be transfigured into something resonant.

In this sense, the project echoes a broader condition of life: within constrained frameworks, it is still possible to produce moments of rupture—out of which something unexpectedly vital may emerge.

Across these works runs a shared impulse: a desire to enter into dialogue with the world, to articulate care for animals, and to reconsider the ethical and emotional dimensions of human–animal relations. It gestures toward a vision in which the world—and even the cosmos—becomes more inhabitable, more worthy of coexistence.

Kindness, often perceived as scarce, may simply be awaiting the conditions in which it can unfold.

Whether one attributes this to faith, chance, or collective effort, one thing remains clear: what cannot be realized alone becomes possible together.

— Bing

Curatorial Statement

This exhibition takes the St.Tails “pet parent” caps (in five primary colors) as spatial objects and as a medium, staging an artistic ritual of coronation centered on the bond between humans and their animal companions.

A group of contemporary artists engage the St.Tails cap as a site of intervention, freely reworking its symbolic language, formal structure, and underlying spirit.

Focusing on the symbiotic relationship between humans and companion beings, the exhibition explores intimacy within the everyday—attachment, subjectivity, tenderness, and power—alongside notions of coexistence, care, and identity.

Within daily companionship unfolds a form of coronation that is both gentle and profound: a mutual recognition of sovereignty, a shared act of crowning.

— Su Fei

April 3, 2026