前言

文脈牽山海，生態(tài)潤京畿。為深入踐行文化思想和生態(tài)文明思想，聚力貫徹落實文化強國建設、京津冀協(xié)同發(fā)展戰(zhàn)略部署，立足北戴河優(yōu)質生態(tài)資源、北京經(jīng)開區(qū)文藝資源與北京麋鹿與生態(tài)保護科研優(yōu)勢，特舉辦“山海為鄰共寫華章”主題書畫展，以藝為橋、以綠為脈，搭建京冀兩地文化共建、生態(tài)共育、資源共享的交流平臺。

山海藏靈秀，筆墨賦新生。本次展覽融匯藝術創(chuàng)作與生態(tài)科普兩大維度，共分兩大展區(qū)，第一展區(qū)為“山海華章·書畫主展區(qū)”，甄選42幅原創(chuàng)書畫佳作，融山水風物、濱海街巷、麋鹿靈姿、候鳥生態(tài)于筆墨之間，描摹京冀山水之美、生態(tài)之韻、人文之盛。第二展區(qū)以“呦呦鹿鳴”為主題，通過翔實科研史料、生態(tài)紀實展板、珍貴麋鹿標本等，系統(tǒng)呈現(xiàn)瀕危物種保育成果、濕地治理實踐與鳥類保護成效，實現(xiàn)傳統(tǒng)書畫藝術與新時代生態(tài)文化的深度交融。

山海不言，而畫中有聲；歲月無痕，而筆底有光。希望通過本次展覽，進一步豐富北戴河城市文化場景、提升生態(tài)文旅品位，搭建京冀文藝交流、生態(tài)互鑒的友好平臺，讓山海文脈相融、藝術共生，為兩地協(xié)同發(fā)展積淀溫潤綿長的文化力量。

Forewordto "Mountains and Seas as Neighbors, Writing a Splendid ChapterTogether" Calligraphy and Painting Exhibition

Thisexhibition, rooted in the rich resources of Beidaihe, Beijing E-Town, and theBeijing Milu Ecological Research Centre, aims to implement cultural andecological civilization principles and advance the coordinated development ofthe Beijing-Tianjin-Hebei region. Using art and green development as bridges,it fosters cultural collaboration, ecological co-education, and resourcesharing between the two areas.

The exhibitionfeatures two sections. The first presents 42 original calligraphy and paintingscapturing landscapes, coastal scenes, milu deer, and migratory birds,celebrating the region's natural beauty and cultural vitality. The second,themed "The Deer's Gentle Murmur," uses scientific materials,ecological panels, and milu specimens to showcase achievements in speciesconservation, wetland management, and bird protection, integrating traditionalart with modern ecological culture.

Through thisexhibition, we hope to enrich Beidaihe's cultural scene, enhance eco-tourism,and build a platform for artistic and ecological exchange between Beijing andHebei, leaving a lasting cultural legacy for regional coordinated development.

部分展覽作品

張建豹《祖山寺下》65cmx49cm

李耀林《五鳳樓斜陽》45cmX40cm

邱楓《秦皇島花場峪得圖》60cmx30cm

婁敏《北戴河祖山》65cmx33cm

《闞愛萍祖山古長城遺跡》45cmx65cm

王貴華《祖山花廠峪寫生》65cmx33cm

龐嘯晨《藍調海岸線》23x31cm

李想《青頭潛鴨》30cm×20cm

李曉軍《五鳳樓寫生》44.5cmx61cm

張卉《茗居清影》65x40cm